This was a fascinating idea, and I’m happy to report that the execution was q…
Waiting For the Time to Be Right (Clairecords). Review by Aaron Shaul.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Last Night My Head Tried to Explode and I Wrote Everything Down (Novoton). Review by Aaron Shaul.
Love and Kisses from the Underground (Dirty Martini/RCA). Review by Alice Barkwell.
Through the Turbulence (Melodic Revolution Records). Review by Michelle Wilson.
Lilienthal’s electronics are a particularly warm and engaging blend of melodi…
Peaches brings her freakfest booty show to Orlando’s lads and ladies.
Print Review by Ian Koss
Ginger (CMC International). Review by Jessica Smith
The Genocide Machine (Necropolis/Deathvomit). Review by Nathan T. Birk.
Innundir Skinni (One Little Indian). Review by Carl F Gauze.