• The 1975

    The 1975

    The 1975 bring back ’80s inspired synth pop to a generation that didn’t even know they were missing it. Jen Cray surrenders to the beat.

  • Drakulas

    Drakulas

    Raw Wave (Dirtnap). Review by Jen Cray.

  • Yellowcard

    Yellowcard

    Yellowcard bid farewell to 20 years worth of fans in Orlando, and Jen Cray was there to capture it all.

  • Scully

    Scully

    No Sense EP (Fire Talk Records). Review by Jen Cray.

  • Mitski

    Mitski

    Mitski brings her stark bedroom pop to Orlando’s BackBooth, but Jen Cray finds openers Fear of Men and Weaves more delighting.

  • The Fest

    The Fest

    The Fest isn’t just another music festival, it’s a community — one that Jen Cray is happily a part of.

  • Beach Slang

    Beach Slang

    The Bleached Slang Tour (Beach Slang + Bleached) brings Orlando to its knees and causes hearts, like Jen Cray’s, to swoon.

  • Vomitface

    Vomitface

    Hooray For Me (Help Yourself Records). Review by Jen Cray.

  • Big Eyes

    Big Eyes

    Stake My Claim (Don Giovanni Records). Review by Jen Cray.

  • Pawns

    Pawns

    A triple bill of underground Goth, led by NYC’s Pawns, transforms Uncle Lou’s into a time machine. Jen Cray did not wear eye makeup, but she did wear a black shirt to the show.

  • Ranch Ghost

    Ranch Ghost

    Lookin’ (Rough Beast Records). Review by Jen Cray.

  • Stove

    Stove

    Is A Toad In The Rain (Exploding In Sound Records). Review by Jen Cray.

  • Death Valley Girls

    Death Valley Girls

    Glow In The Dark (Burger Records). Review by Jen Cray.

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